Tired of the same old stale "Brua-Chick-a-Brua-Bruaaahh" porn music? You're not the only one. Which is why we're all over Billboard-charting dance artist Ron Perkov's new CD "Intimate Chill-Out", an ambient collection of music that sounds like it could be a soundtrack to one hell of a hot sex session. And guess what? It is.After a chance meeting with Colt Studios Marketing Director and Buckshot director Kristofer Weston on Fire Island, Perkov offered his services as a composer. Weston decided to take him up on his offer, hiring Perkov to compose the score for the upcoming Buckshot Video release "Boy Country".
"When I first heard Ron's music, I closed my eyes and got off on the beautiful voice and harmonies and knew instantly it would work well for a sex scene," Weston tells Unzipped. "His music is very relaxing and sexy."
Using his CD as his jumping-off point, Perkov fashioned a dreamy, atmospheric soundtrack of sounds that ebb flows with the action in Boy Country, foregoing the dark, dungeon-style music that has become commonplace is so much of today's adult films.
Using his CD as his jumping-off point, Perkov fashioned a dreamy, atmospheric soundtrack of sounds that ebb flows with the action in Boy Country, foregoing the dark, dungeon-style music that has become commonplace is so much of today's adult films.
"I approached the job very carefully, watching each scene from beginning to end to decide how I wanted to tie my CD with the DVD," Perkov says. "I wanted them to coincide with each other so if someone was watching the film and liked my music, my CD would be very similar. I took out all the vocals, though. I didn't think the vocals were appropriate for this type of film."
To his delight, Perkov found the job to be rather, er, stimulating. "For me, I like music with a beat but not too dance-oriented—more like a Buddha Bar-type feel with a very European flavor—that you can relax to. I took a similar approach to music for Boy Country. If it was a b*** j**, I would not add as many instrumental sounds as if it was full-blown f***ing. From the b*** j** to the f***ing, I was slowly building up the musical sound adding more instruments as the actors were getting more into it, so would the music build, sort of like climbing to a climax."
Weston says he was so impressed with Perkov's score that he hopes to work with him again soon—in more ways than one. "Ron is so handsome. When I first met him, I wanted to put him in a movie as well, but had to settle for just his music. Maybe he'll change his mind for our next movie."
According to Perkov, Weston just might have a shot at getting his wish. "I'm a little shy!" he giggles. "I think I'll just stick to doing music instead for now, but you never know. I never say never."
Boy Country is out now. Check out Ron's CD on http://www.itunes.com/.
To his delight, Perkov found the job to be rather, er, stimulating. "For me, I like music with a beat but not too dance-oriented—more like a Buddha Bar-type feel with a very European flavor—that you can relax to. I took a similar approach to music for Boy Country. If it was a b*** j**, I would not add as many instrumental sounds as if it was full-blown f***ing. From the b*** j** to the f***ing, I was slowly building up the musical sound adding more instruments as the actors were getting more into it, so would the music build, sort of like climbing to a climax."
Weston says he was so impressed with Perkov's score that he hopes to work with him again soon—in more ways than one. "Ron is so handsome. When I first met him, I wanted to put him in a movie as well, but had to settle for just his music. Maybe he'll change his mind for our next movie."
According to Perkov, Weston just might have a shot at getting his wish. "I'm a little shy!" he giggles. "I think I'll just stick to doing music instead for now, but you never know. I never say never."
Boy Country is out now. Check out Ron's CD on http://www.itunes.com/.
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