OUT Magazine has revealedts complete list of the annual Out 100.
The list is mostly made up of openly gay people but also included are some straight allies. Click HERE to see all of the honorees who were all photographed in one of three distinctly different gatherings — Studio 54, the Stonewall Riots, and Truman Capote’s Black and White Ball.
Out chronicles the 100 LGBT movers and shakers who made big impressions on the cultural and social fabrics of this year.
Here are the 16th Annual Out 100 Cover Award Honorees:
Entertainer of the Year — Ricky Martin: “I am Hispanic, and I am a gay man, and they both struggle. Is it a big responsibility? It can be as big as I want it to be,” Martin tells Out. Embracing both fatherhood and new status as a gay role model, Martin, who opens up in his new memoir, Me, looks forward to teaching his twin boys acceptance and love and a day when he proudly walks them down the red carpet!
Diva of the Year — Johnny Weir: “Every little boy should be so lucky as to turn into me,” Weir declared unapologetically after two Canadian broadcasters suggested he undergo a “gender test” during the 2010 Vancouver Winter Olympics. With his flair for flamboyance and commitment to glamour, Weir never shies away from controversy—or pageantry. As to the ubiquitous questions surrounding his sexuality, Weir’s opinion remains clear. “I’m not ashamed of anything, but I want it to be out there in my own words.”
Artist of the Year — Julianne Moore: “I don’t think a movie like The Kids Are All Right could be made if this wasn’t the way that families are living today all over the United States,” Moore states. The actress, a four-time Oscar nominee, began her activism some 25 years ago after her first experience with what would become the AIDS pandemic. Now, although she works to keep politics and career separate, Moore notes, “I choose a part because I’m interested in the role, the director, the script. I don’t go looking for something that seem political, but by virtue of the roles being intensely personal, it becomes that way.”
Newsmaker of the Year — Rachel Maddow: Growing up in the time of the AIDS pandemic gave Maddow a compelling perspective on the state of gay activism, especially now in the age of Obama. “We continue to have a sort of lackadaisical gay political movement that has a relationship with Democrat politicians that doesn’t serve gay rights: ‘We want to be close to you.’ Beautiful! But if we’re not getting anything for that, then it’s actually counterproductive.” Now Maddow’s self-titled MSNBC news hour serves as appointment TV for anyone even halfway interested in the surreal theater of American politics amid the surging tide of anti-Washington sentiment.
Stylemaker of the Year – Nate Berkus: Oprah protégé Berkus recently became the first openly gay man to host a daily nationally syndicated television show, and the guru is not taking that responsibility lightly. “Having a daily show is an opportunity for me not to push a political agenda, but to speak out for tolerance and understanding and equality,” he notes. “I’ve been given an enormous opportunity, and I plan to use it responsibly.” Berkus has already proved his commitment to responsibility, having recently appeared on Larry King Live and delivered a compelling plea to America to stop antigay bullying.
Out Editor Aaron Hicklin says of the selections: “For this year’s cover, the five honorees all reflect major breakthroughs in the profile of the LGBTQ community, including one of the most successful pop stars of all time, a leading commentator on politics and current affairs, a wildly entertaining Olympic ice skater who captured everyone’s imagination in Vancouver this year, the first openly gay male host of a daytime TV show, and the fabulous LGBT ally Julianne Moore, star of The Kids Are All Right, a boundary-pushing movie that quietly and profoundly lent legitimacy to our relationships and families."
In his directorial debut, desinger Tom Ford brings to us "A Single Man", starring Colin Firth and Julianne Moore. It is a story that centers on an English professor who, after the sudden death of his long-time partner tries to go about his typical day in Los Angeles.
The movie will be released nationwide on December 11th after being showcased in several worldwide movie festivals, including most recently the AFI Fest.
Designer Tom Ford makes a surprisingly successful leap from the fashion industry to the big screen with "A Single Man," a standout directing debut about a gay college professor who loses his longtime partner.
The theme of the search for meaning after a great loss is developed with great sensitivity, thanks to Colin Firth's moving performance in the main role, and should help the film go beyond gay audiences, who will be its strong supporters, to attract the more mainstream attention of "Brokeback Mountain" and "Far From Heaven."
Based on a novel by Christopher Isherwood, the screenplay by Ford and David Scearce is concise and to the point. It opens on a fatal car crash in 1962, in which Jim (Matthew Goode) is killed. George Falconer (Firth) learns about his lover's death the next day when a relative phones, but he is warned not to attend the funeral of the man he lived with for 16 years.
Broken-hearted and alone, he seeks comfort from his long-ago flame, now friend, Charley (Julianne Moore), who is obviously still in love with him. But George is too devastated to be interested in either sex, and even rebuffs the approach of a hot young hustler played by Jon Kortajarena, who is a true James Dean lookalike. He tries to avoid getting involved with his student Kenny (Nicholas Hoult of "About a Boy"), who is just discovering his sexual preferences and aggressively courts the older man. Instead, he makes plans for committing suicide.
Most of the action takes place over the course of a single day in Los Angeles in the early '60s, when being gay was socially disapproved of by many. The film brushes ever so lightly on the issue of discrimination, first implicitly, when George lectures his students on how society fears what it is not, and later in a beautifully calibrated tete-a-tete between George and Charley, when she insinuates George and Jim did not have a "real relationship."
Through snatches of their life together, it is apparent that George and Jim had a very real and loving relationship whatever 1960's America thought. Their love story is contrasted with the next-door neighbors, who are down-to-earth suburbanites busy raising families and building nuclear bomb shelters. When a colleague tells George there won't be time for sentiment when the bomb falls, George characteristically retorts that he's not interested in living in a world without feeling.
Firth's measured performance, delivered in a clipped British accent, has just the right restraint, and the intelligent dialogue is a pleasure. Moore is glamorous and likeable as the alcoholic divorcee Charley, adrift without a husband. Goode and especially Hoult are just too perfect to be true, but they serve the purpose of offering George good reasons to stay alive. In contrast to Firth's underplaying, the directing has its overblown, operatic soul. Ford is unafraid of such cringe-worthy moments as playing an opera solo over a suicide attempt, or having a nattily dressed symbolic figure in Tom Ford Menswear give the kiss of death to the recently departed. In the same spirit, tech work is satisfyingly bold. Dan Bishop's stylish production design and Eduard Grau's cinematography set the film in a romantically idealized '60s world. The film score, written by Abel Korzeniowski and Shigeru Umebayashi, is variegated and full of lush orchestral themes that salute Hitchcock and Bernard Hermann, among others.
Dennis Quaid will star as President Clinton, Michael Sheen will portray British Prime Minister Tony Blair and Julianne Moore will play Hillary Clinton in "The Special Relationship," an HBO film about the unique and sometimes turbulent political relationship between the newly installed PM and the U.S. president.
The film isn't greenlit yet but is expected to mark the directing debut of "Frost/Nixon" playwright Peter Morgan, who wrote the screenplay.
Sheen, who starred as David Frost in "Frost/Nixon," played Blair in the Morgan-scripted "The Deal" and "The Queen." Helen McCrory, who played Cherie Blair in "The Queen," will reprise that role in "The Special Relationship."
Kathleen Kennedy and Morgan are exec producers, along with Andy Harries. Frank Doelger and Ann Wingate are producers. HBO is in discussions with the BBC to come aboard as a producing partner.
Quaid, who next stars in "G.I. Joe: The Rise of Cobra," will be honored by ShoWest as Male Star of Tomorrow.
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